Italian High Renaissance Painter and Inventor, 1452-1519
Måleriet identifieringen:: 10075
Den Dop av Christ 1472-1475. Olja och temperamenten på trä. Uffizi Gallery.Florence Italian High Renaissance Painter and Inventor, 1452-1519
Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
Måleriet identifieringen:: 10739
Den Dop av Christ 1630-35. olja på segelduk. Fundera des Beaux - Konst. Lyon Italian Baroque Era Painter, 1578-1660
Albani's students included Pier Francesco Mola and Andrea Sacchi
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Måleriet identifieringen:: 19845
Den Dop av Christ Kunsthistorisches Museum. Vienna. Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
Måleriet identifieringen:: 29897
Den Dop av Christ mk67 Olja på segelduk 77 3/16x52 3/8in Pitti.Palatine Gllery Italian Mannerist Painter, ca.1528-1588
Måleriet identifieringen:: 33381
Den Dop av Christ mk86 c.1440-1450 Temperamenten på trä 168x116cm London.National Galleri Italian Early Renaissance Painter, ca.1422-1492
Måleriet identifieringen:: 33396
Den Dop av Christ mk86 c.1475 Temperamenten på trä 177x151cm Florens. Galleri degli Uffizi. Italian Early Renaissance Sculptor, ca.1435-1488
Måleriet identifieringen:: 33576
Den Dop av Christ mk86 c.1623 Olja på segelduk 263.5x186.5cm Vienna.Kunsthistorisches Museum Italian Baroque Era Painter, 1575-1642
Måleriet identifieringen:: 38110
Den Dop av Christ mk131 1847 Malt vid officiell tilldelning för den dop kapellen av San Nikotinen av Chardonnet. i Paris. Är en om knapp plundringståg av krona i till måleriet dekorativ. French Realist Painter ,
1796-1875
Måleriet identifieringen:: 40192
Den Dop av Christ mk156 1445 Temperamenten på panel 167x116cm Nationell Galleri. London Italian Early Renaissance Painter, ca.1422-1492
Måleriet identifieringen:: 50882
The Baptism of Christ mk216
Today piero is widely regarded as the greatest painter of the mid-15th century
Italian Early Renaissance Painter, ca.1422-1492
Måleriet identifieringen:: 52744
The Baptism of Christ mk223
today piero is wiely regarded as the greatest painter of the mid-15th century
Italian Early Renaissance Painter, ca.1422-1492
Italian High Renaissance Painter and Inventor, 1452-1519
Måleriet identifieringen:: 58583
The Baptism of Christ The Baptism of Christ (1472?C1475)??Uffizi, by Verrocchio and Leonardo Italian High Renaissance Painter and Inventor, 1452-1519
Måleriet identifieringen:: 58846
The Baptism of Christ The Baptism of Christ, 1450 (National Gallery, London). Italian Early Renaissance Painter, ca.1422-1492
Måleriet identifieringen:: 63050
The Baptism of Christ 1661 Ceiling fresco Conventual Church of St. John, Valletta, Malta Artist: PRETI, Mattia Painting Title: The Baptism of Christ , 1651-1700 Painting Style: Italian , , religious Italian Baroque Era Painter, 1613-1699
Måleriet identifieringen:: 64775
The Baptism of Christ Oil on canvas Mus?e du Louvre, Paris , CORNELIS VAN HAARLEM , The Baptism of Christ , 1551-1600 , Dutch , painting , religious
Måleriet identifieringen:: 73430
The Baptism of Christ ca. 1475(1475)
Oil on panel
177 X 151 cm (69.68 X 59.45 in)
cjr Italian Early Renaissance Sculptor, ca.1435-1488
Måleriet identifieringen:: 81516
The Baptism of Christ Oil on wood, 177 x 151 cm
Date between 1472(1472) and 1475
cjr Italian Early Renaissance Sculptor, ca.1435-1488
Måleriet identifieringen:: 81520
The Baptism of Christ Oil on wood, 177 x 151 cm
Date between 1472(1472) and 1475
cjr Italian Early Renaissance Sculptor, ca.1435-1488
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
Måleriet identifieringen:: 82983
The Baptism of Christ xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg
Date 1630 - 35
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
Måleriet identifieringen:: 87743
The Baptism of Christ Date 1655(1655)
Medium Oil on canvas
Dimensions Height: 233.2 cm (91.8 in). Width: 160.1 cm (63 in).
cjr Spanish
1618-1682
Bartolome Esteban Murillo Galleries
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
Måleriet identifieringen:: 88769
The Baptism of Christ 1630-35
Medium Oil on canvas
cyf (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
